I saw something last night that borders on magical. I was driving to a friend's new place and noticed a not so uncommon and tacky Christmas display complete with giant glowing Santa's, Frosties, etc. I then saw a giant glowing Christmas Spongebob! It was glorious.
There is a new years party tonight at his place. I'll try to get a nice picture and perhaps a few other tacky Christmas lawn decorations. I think Maine may be the tacky giant Christmas plastic lawn ornament capital of the world.
I for one am proud of that. All Mainers should be proud!
I'm especially loving the new breakthrough for 05. The giant plastic bubble scenes (those things you shake up and snow flies everywhere). Imagine those but giant sized! There is one right near me which I will go and take a picture of this morning. It is so horrible it borders on art.
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Anyways on to other things. If you saw Kingdom of Heaven in theatres you probably thought it was a movie with great action but was missing something. Here is the guy who made Gladiator and Black Hawk Down recently (not to mention Alien and Blade Runner).
This film could have been a classic but it felt empty. They got great acting (
Edward Norton, Eva Green, Liam Neeson, Jeremy Irons, David Thewlis(see
Naked to see how good he can be), and that pretty boy metro guy from England.
I'm excited to see the director's cut. If you live in a larger city it may be showing. This will not come to Maine. We'll get Cheaper by the Dozen 2 instead.
Below is an exerpt from
Moriarty:
Mainly, though, it’s Ridley Scott and William Monahan who should be most upset about what happened to this film. Monahan took a fairly small piece of history, invented a story that expertly wove a character into a real situation in a way that enlightened this time and also comments on why we’re still seeing the same bloody battles being fought over that same piece of land now, and he made it all very human, something you can relate to. Ridley Scott took everything he’d done on BLACK HAWK DOWN and GLADIATOR and then stepped it up a notch, and in doing so, he made a better movie than his Oscar-winning smash hit. All the hard work that they did, along with their entire who’s who of talented technical collaborators, turned out to be for nothing, though, because someone looked at the running time and panicked. Someone lost their fucking nerve, and they figured all that mattered was getting the battle scenes into the theater, that no one would care about anything else. And, yes, the battles here are masterful, some of the best ever committed to film. The reason they’re so great is because of the way they genuinely illustrate character and strategy and military accomplishment, rather than just mayhem and noise and fury and a nice software package, as with so many other big movies in the last few years. These are very specific battles, and the way the last hour of the film plays out, we see how Balian and Saladin (Ghassan Massoud) engage each other across the battlefield, and how Saladin begins to respect and even like this foe, admiring his military mind. Because Balian was an engineer, something we only learn in this version of the film, it makes perfect sense that he’d be able to figure out how to best defend the city and how to counteract the weaponry that Saladin brings to use against them. In both GLADIATOR and BLACK HAWK DOWN, Ridley Scott was learning how to shoot battle on a personal level and on a massive scale, and in this film, he puts it all together, everything he’s been building towards. There’s a sense in this film that you are in the middle of the battle, arrows racing by you on all sides, fire falling from the sky and smashing the city to pieces. It’s remarkable, and you can easily see where the big bucks were spent on the film.